Archive for the ‘Sleepers’ Category

***Spoiler Alert***

Nate Kulina

Nate Kulina, we miss you.

The youngest of the Kulina men, abandoned young by a mother who was deep into addiction, and a father who was there, but not really there.  Leaving him to grow up under the close watch of his older brother, Jay, and in turn becomes oddly the most stable of them all. The son that Alvey is happy to train, the Kulina who stays clean, a talented fighter who doesn’t quite have the edge to do what needs to be done. I have to say, at first I was unsure about Nick Jonas in this role. But, he fills out the character in a perfectly understated way that matches Nate’s personality and tone.

Nate’s quiet, observant nature hides his humor and intelligence from those who don’t know him. Underneath the MMA training, and the signature Kulina swagger, is a sensitive soul hiding many secrets. Like most quiet, introspective people, myself included, he has a tendency to bottle up his feelings. Even those closest to him never really see the depths of who he is, unlike Jay, who’s every emotion you can read on his face. And while Jay is the more obvious to pop off and get into trouble, keeping all of your feelings stored up like that can result in random snapping, moments of rage where it all becomes too much and the pressure explodes. It makes a person dangerous in a different way, unpredictable to a degree, and unable to control their anger once the pressure valve is released. Add in having to suppress a huge part of who he is – his sexuality – and Nate becomes a bomb waiting to explode.

As well adjusted as Nate is, you can still see the walls he has built around him, in his relationship with Will there always seems to be a line he won’t cross. In his relationship with Alvey, an uneasy tension prompted by his secret. In his relationship with Christina, a mistrust that she can never fix, damage that can never be totally repaired. Even with Jay, his brother, his pseudo parent, the person he most trusts in the world, he hides his biggest secret for a long time.

But in Season 3, we start to see Nate really become comfortable with who he is. He’s still largely hiding his relationship with Will, but knows he needs to tell Alvey. He wants to continue fighting. He keeps standing up to Jay, forcing him to see that Jay hurting himself in turn hurts Nate, but now also hurts his own daughter. And in one of his last acts alive, he calls Jay’s ex, Amy, on his behalf, leaving a message that you hope Amy returned. It’s a testament to Nate’s loyal nature, his desire and ability to be a solid source of support. A glimpse into his future, who he could be in 10, 20, 30 years.

I’ve compared the Kulina men to street cats in the past. Jay and Alvey are so similar, like street cats who were abandoned early and taken in by a neighbor later on – always skittish and never totally trusting. Nate is the street cat who was abandoned early and adopted into a home quickly, his animal instincts are dulled. The razor sharp sense of survival that really rules both Alvey and Jay isn’t seen in Nate at such a honed level.  It’s there underneath, and what makes him a good fighter, but not enough to fight with no hesitation.  And it’s also what contributes to his death.

While Jay is so overly aware of what the situation is at the bar in Tucson, knowing the bouncer has a gun, seeing how out of control it might get in a split second, Nate can only focus on his rage and pain. The one they all tried to protect most – Alvey, Jay, and even Christina in her own way – is lost too young in a terrible accident. Jay’s dedication to his brother, Alvey’s real attempt at being a parent, Christina trying to win back Nate’s trust. Did it all contribute to dulling that survival instinct? Would he be alive if the circumstances were different? Maybe. And he’d likely be a very different person, far more jaded and closed off. Because for Nate, Jay is his nuclear family. Alvey’s there and trying, and that’s appreciated, but Jay in many ways is Nate’s only parent. He did everything possible to support Nate, there’s an unbreakable bond between them. While Jay knows the pain of having both his parents around and then losing that support and love, Nate only really remembers having Jay to count on and take care of things.  He doesn’t trust Christina, and right down to the end, he’d turn his back on her if it meant saving Jay.

When you look at the Kulina family, all statistics point to Jay or Christina overdosing, or Alvey’s body giving up, long before even thinking that Nate could be the one to die first. It’s a cruel world, taking away the young, those with the most promise, the ones you least expect. And it isn’t just the life lost, but the life that could’ve been is lost as well. All the years to come, gone in a flash.

For me, Nate’s biggest contribution to the show is the ultimate lesson we all learn at the end. Not just the audience, but the entire Kingdom universe. You don’t know when it’s going to be your last moment. Say what you need to say, do what you need to do, don’t wait because that chance may never come again. Live your truth, and there will be no regret. In his final moments, Nate opened up completely to the one person in his life he hadn’t been able to, his father. And while it some small way triggers the chaos that kills him, it also frees him in his last minutes. To really been seen for who he is, finally.

“Kingdom”: Let’s Talk King Kulina

“Kingdom”: The Arizona Episodes

“Kingdom” Season 2: The Tragedy of Jay Kulina

Deep Dive: Jay Kulina of “Kingdom”

Sleepers: “Kingdom”

Kingdom 3x09 Bar

***Major spoiler alert***

All great TV shows have an episode or a string of episodes that destroy you emotionally and completely change the landscape of the show’s universe. You’ve invested time (in some cases, lots of time) and dedicated yourself, and for those of us who love a really good story, these kind of episodes can be pretty devastating.

Probably the most controversial decision in any story, whether that’s written, on film, or spoken, is a central character death. When done really well, the character is someone who’s death is going to dramatically change the storyline, their fellow characters shifting into new plotlines as a result. It can be a really powerful tool to both move along a storyline, but also to write tragedy in a real way that viewers can relate to and learn from.  Typically these aren’t the characters you root for something to happen to – like a villain – but someone you really love and is loved by the others in the story.

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Kingdom - Jay KulinaSeason 2 is often my favorite of a TV show. You spend Season 1 immersing yourself in the show’s world, getting to know the characters, wrapping up the first big plot lines, and positioning the show’s universe for Season 2. Frequently, new characters are introduced in the second season, many as plot catalysts.

In the world of Kingdom, Season 2 is both its best and its darkest, particularly for Jay Kulina. While the end of Season 3 (waiting that Season 4, Netflix …) brings tragic, life altering changes for the Kulina family and the whole Navy St. crew, much of Jay’s personal battles hauntingly play out in Season 2. Jay finds himself at the edge of very high highs, and very low lows, a rollercoaster with such a drop it’s amazing that he survived the fall.  But survival isn’t just getting up to fight another day, and the emotional trauma he experiences carries into the next season, effecting life choices and continued substance abuse struggles.

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***Spoiler Alert***

The Black Donnellys

Episode 13: “Easy is the Way”

“The gates of Hell are open night and day; smooth the descent and easy is the way.” – Virgil

Also known as the unintended series finale that will haunt you forever.

The time has come to talk about the final episode, the cliffhanger, the want and need for another season, another anything that we’ll never see. The show’s death quickened by NBC’s marketing neglect, still painful 13 years later.

Joey: “You don’t know anything.  You just look at what happened, not why or how it happened.”  My life motto.  Not just the what, but the why and how. 

Tommy beat Dokey in the street, but didn’t kill him. Which means Dokey is on the war path and Tommy needs to come up with a plan, fast. And that plan becomes to get the whole family out of the city.  Kevin is totally right that they should’ve just killed Dokey, the neighborhood locals would’ve helped to cover it up.  But, that’s not really Tommy’s problem, is it? It’s his conscious. And Kevin’s also right that they can’t hide in the Firecracker forever.

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The Black Donnellys

Episode 12: “The Black Drop”

“How shall a man … draw off from his veins the black drop he drew from this father …” – Ralph Waldo Emerson

Also known as the episode in which Kevin hates people who cut the line and your heart breaks into a million pieces for Jimmy. 

Joey Ice Cream gets stabbed in the shower, appears to be fairly minor, and reveals that his friends have a contract out on him. Dun dun dun, the plot thickens about the real reason Joey’s in jail. I have my own theories I’ll share after the final episode.

Tommy and Kevin are still trying to help Mr. Reilly save the diner, and Joey third wheels by revealing Anthony Lino’s (the building inspector) location. Or so he says. Tommy tricks Lino into an inspection of a local business and they kidnap him, hiding him in the basement of the Firecracker, Louie Downtown style. Joey gleefully joins the basement session, except when he’s left in charge of keeping an eye on Lino.

Kevin continues to prove his fascination and ability for violence, while Tommy puts the pressure on with just a nod of the head to Kevin. Have I mentioned how much I love their working relationship in the family business?

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The Black Donnellys

Episode 10: When the Door Opens

“There is always one moment in childhood when the door open and lets the future in.” – Graham Greene

Also known as the episode in which Kevin gets hit with a “piss balloon”, and Jimmy is involved in one of the most brilliantly composed murder scenes of all time.

Tommy: “We’re all going to die.”

Just a casual declaration in the Firecracker, after Tommy turns down the deal with Nicky because Nicky won’t work with Jimmy. Tommy’s plan? To get on Dokey’s side to build up funds and manpower, to prepared when Nicky kills Dokey.

Sean meanwhile gets the boot from the real family business, crime, and momentarily quits as the beverage manager to make a point. But he ends up hanging with Nadine, the jukebox sales girl, so maybe his life is taking a better turn.

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The Black DonnellysEpisode 7: “The Only Thing Sure”

“The only thing sure about luck, is that it will change” – Bret Harte

Also known as the episode where Kevin thinks he can’t lie, but he’s actually a great liar.

Episode 7. The last to air on TV, and will forever be the final nail in the coffin of NBC’s absolute stupidity during the 2000’s. Killed Freaks and Geeks in 2000. Gave American Dreams a slow death in 2005, and never released the already filmed series epilogue (a rough cut was shown years later at the 2013 ATX Festival).

April 2, 2007, THE DAY EPISODE 7 AIRS, NBC announces that they will pull The Black Donnellys from the air after the April 16, 2007 episode (presumably episode 9), due to “low viewership”. After they messed around with premiere dates, gave little promotion, and didn’t air the incredibly crucial episode 3.

To make things better, they don’t even hold to that, making episode 7 the last to air on NBC from the series. They instead replace the April 9 and April 16 time slots with a show that itself is quickly cancelled, “Thank God You’re Here”, and insult of all insults then airs a show called “The Real Wedding Crashers” WHICH WAS PULLED OFF AIR AFTER THREE EPISODES AND THEN CANCELLED.

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I’ve long had a penchant for fictional characters (and real people) with a chip on their shoulder and a dark side. All time favorites include Forrest Bondurant in “Lawless” (Tom Hardy); Will Hunting of “Good Will Hunting” (Matt Damon); Veronica Mars of “Veronica Mars” (Kristen Bell); Pacey Witter of “Dawson’s Creek” (Joshua Jackson); The Donnelly Brothers of “The Black Donnellys” (Tom Guiry, Jonathan Tucker, Billy Lush, Michael Stahl-David); Mickey Milkovich of “Shameless” (Noel Fisher); Damon Salvatore of “The Vampire Diaries” (Ian Somerhalder); and the capo di capi for me, Patrick Kenzie of the Kenzie/Gennaro series written by Dennis Lehane, brought to screen by Casey Affleck in “Gone, Baby, Gone”.

There’s something about overcoming and evolving that I think most people find appealing. A character you can root for, feel inspired by, take a lesson from, good or bad. You can identify with them – my favorite characters are sensitive, introspective, highly observant, empathetic, independent. They see a person for who they are, have highly honed instincts, and are very self aware.

Add in a masterfully crafted character arc, and I’m sold. My long time top three favorites – Kenzie, Milkovich, the Donnelly boys – take you on an emotional journey that once you’ve experienced it, you feel changed, you feel like you carry them with you through life. It might sound silly – a lot people really undervalue what movies and TV shows can do, but storytelling has been part of the human cultural fabric for centuries, and at heart, film and books are just that – storytelling. Traditional stories are those of warning, inspiration, lessons learned, trials to come.

Enter Jay Kulina of “Kingdom”, DirecTV’s MMA drama that premiered in 2014 and sadly ended after only 3 seasons in 2017. Difficult to find online in its entirety until recently, it also just hit Netflix this summer and hopefully will gain enough views and traction for Netflix to seriously consider funding another round.

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The Black Donnellys

Episode 6: “Run Like Hell”

“If I was ever sure that someone was coming to help me, I should run like hell.” – Thoreau

The episode in which Kevin has to do everything and Tommy can’t let go of helping Jenny, despite the bread man situation. (more…)

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The Black DonnellysEpisode 5: “Lies”

“For a moment the lie becomes the truth.” Dostoevsky

Also known as the episode in which Tommy steals a casserole and Kevin has to eat bread for dinner.

Wooo boy, Samson is not a dude you want to reject after sleeping with him. His face when Jenny says there is someone else is not good. And Jenny’s talk with the priest? Hilarious, yet you know “Teach” is a scumbag husband (and dead, but Jenny doesn’t know) when your priest suggests an annulment. (more…)